Greek mythology in western art and literature Essay

With the rediscovery of classical antiquity in Renaissance, the poetry of Ovid became a major(ip) influence on the tomography of poets and artists and remained a fundawork forcetal influence on the diffusion and perception of classic falsehoodology through subsequent centuries.2 From the early years of Renaissance, artists portrayed subjects from Greek mythology alongside much conventional Christian themes.Among the best-known subjects of Italian artists are Botticellis Birth of Venus and Pallas and the Centaur, the Ledas of Leonardo da Vinci and Michelangelo, and Raphaels Galatea.2 Through the medium of Latin and the works of Ovid, Greek myth influenced medieval and Renaissance poets such as Petrarch, Boccaccio and Dante in Italy.1In northern Europe, Greek mythology never took the same hold of the ocular arts, but its effect was very obvious on literature. Both Latin and Greek classical texts were translated, so that stories of mythology became available. In England, Chaucer, t he Elizabethans and John Milton were among those influenced by Greek myths intimately all the major English poets from Shakespeare to Robert Bridges turned for inspiration to Greek mythology. Jean Racine in France and Goethe in Germany revived Greek drama.2 Racine reworked the ancient myths including those of Phaidra, Andromache, Oedipus and Iphigeneia to new purpose.3The eighteenth century saw the philosophical revolution of the Enlightenment spread throughout Europe and accompanied by a certain reaction against Greek myth there was a tendency to insist on the scientific and philosophical achievements of Greece and Rome.The myths, however, continued to provide an important source of raw material for dramatists, including those who wrote the libretti for Handels operas Admeto and Semele, Mozarts Idomeneo and Glucks Iphignie en Aulide.3 By the end of the century, Romanticism initiated a surge of enthusiam for all things Greek, including Greek mythology.In Britain, it was a great p eriod for new translations of Greek tragedies and Homer, and these in turn inspired contemporary poets, such as Keats, Byron and Shelley.4 The Hellenism of Queens Victoria poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of index Arthrur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816 many of the Greek paintings ofLord Leighton and Lawrence Alma-Tadema were seriously pass judgment as part of the transmission of the Hellenic ideal.5 The German composer of the 18th century Christoph Gluck was also influenced by Greek mythology.1 American authors of the 19th century, such as doubting Thomas Bulfinch and Nathaniel Hawthorne, believed that myths should provide pleasure, and held that the study of the classical myths was essential to the understanding of English and Americal literature.6According to Bulfinch, the so-called divinities of Olympus have not a single worshipper among living men they belong now not to the department of theology, but to those of literature and taste.7In more recent times, classical themes have been reinterpreted by such major dramatists as Jean Anouilh, Jean Cocteau, and Jean Giraudoux in France, Eugene ONeill in America, and T. S. Eliot in England and by great novelists such as the Irish James Joyce and the French Andr Gide. Richard Strauss, Jacques Offenbach and many others have set Greek mythological themes to music.1References1. a b c d Greek Mythology. Encyclopaedia Britannica. 2002. 2. a b c Greek mythology. Encyclopaedia Britannica. 2002. * L. Burn, Greek Myths, 753. a b l. Burn, Greek Myths, 754. l. Burn, Greek Myths, 75-765. l. Burn, Greek Myths, 766. Klatt-Brazouski, Ancient Greek and Roman Mythology, 4 7. T. Bulfinch, Bulfinchs Greek and Roman Mythology, 1